240 Royalty-Free Audio Tracks for "Electronic Instrument"

Green Pig by Soft and Furious

You're Magic by Soft and Furious

Craving Ending by Soft and Furious

Incredible You by Soft and Furious

This is an edited "ambient version" of the original track's "surrealism". Space pad. Plugins omnisphere 2, kontakt (drums of war2), dune 2. 5. Bpm 60. Ableton 9. 6. Project file here: https://evaluationrecords. Com/shop/.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

This one is a little extract from one of my experimental tracks. It was done on a cubase5 for pc, using vst instruments. No samples, genuine soundwork. It may be used for movie, documentary, radio, podcast, educational as well asfor your own inspiration to sample and remix it. Enjoy!.

I Feel You by Soft and Furious

I know it may not sound much like a chopper but i've used it to create a similar kind of ambience in previous electronic productions. Please let me know if you use any of my sounds. I only ask that you do this because i love seeing creativity in action!.

Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.

Cosmic glow track with nice and warm sound. Track features piano. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9, 7 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew.

Falling into the game by Soft and Furious

Parallel universe track with nice sound. It can be perfectly used in cinematic projects. Track features plucked. Space pad. Plugins omnisphere 2, serum. Bpm 109. Ableton 9. 12 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew kn.

Free loop for any use :-) have fun. Subscribe my youtube channel :-)for new sampleshttps://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb. I used it for recording and editing:. Instrument -kazoomic - superlux h o8mic preamp - behringer mic100sound card - line6 toneport gxsoftware - cubase le elements 7plugin - melodyne.

This sound made from init with vital synth (full version free at https://vital. Audio/). I mixed them down to 24bit 44. 1k using presonus studio one and native instruments ak-1 interface. Contact me for the presets and wavetables (also custom) if you have or get the synth. More to follow.

Granular Dreams by Soft and Furious

Powerful Stasis by Soft and Furious

Horizon Ending by Soft and Furious

Is this fruit edible ? by Soft and Furious

Return to the basis by Soft and Furious

Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

R R R R R Right Ok by Soft and Furious

And never come back by Soft and Furious

Still Weaker than Them by Soft and Furious

Murky sweet sweet style by Soft and Furious

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Made a quick drum loops designed to have guitar, vocals, any mid range instrument or sound source sit nicely with it. First 2 measures are less/intro-like, last 2 measures are full beat. 120bpm-1. 7 db true peak max. -16. 0 lufs integrated. Hope this helps and is useful for your next project. Cheers,bainmack.

Created from ableton's stock instrument "light key". Created a midi, freezed and flattened, added automation effects added some lfo, some eq re arranged the echo effect to fit what i thought, and just saved it as this.

This is one of the many sounds that reactable from mtg (upf) can do. Mtg is a research group specialized in audio signal processing, music information retrieval, music interfaces, and computational musicology. This sound tries to reflect the work that is being done there about music and computation. Learn more at: https://www. Upf. Edu/web/mtg. Sound taken from reactable demo: https://www. Youtube. Com/watch?v=mgy1s8qymx0.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Downloaded from the university of iowa electronic music studio. All samples are free. The uoi electronic music studio people ask you to consider a donation to the university's studio for their great recordings or to send them an email to inform them about what you've created with their work!http://theremin. Music. Uiowa. Edu/mispiano. Html. 84 notes. Unfortunately, gb7 is missing. . . Instrument pianomodel steinway & sons model bperformer evan mazunikdate november 5 & 27, 2001location 2017 voxman music buildingtechnician michael cashdistance left mic 8" above center bass strings right mic 8" above center treble stringsmicrophone neumann km 84mixer mackie 1402-vlzrecorder panasonic sv-3800 datformat 16-bit, 44. 1 khz, stereocomments stereo, non-anechoic recording.

Created from a heavily edited piano instrument, played glissando in milkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Made for the ice-breaker collab. Simple mournful loop with deep kick, flute and strings. Tempo=90 bpm. An arpegiated supersaw over drone effect (wollo drone) repeats 3 times. First iteration includes a melody played as a flute. Second iteration of the loop has the flute replaced with a full string section. Third time around, it's just the arp and drone. All three versions of the loop have a deep, reverberating and mellow kickdrum. Sounds tribal(-ish). Created in flstudio 11. 04 with virtual instruments and vst eq + reverb.

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

Music i made in garageband for something called victors crypt. Use it to what you wanna. It's electronic but with elements of "real" instruments to make it more spooky and mysterious. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Sound from pack: "mobile arcade"100% free!200 hq sfx, and loops. Best used for match3, platformer, runners. I sincerely hope that this is a little bit help you to add some fresh sound for mobile or pc game project. All audio samples developed based on reaktor 6 by native instruments. For crystalling clear and unique sound effect, i polished all audio samples in the sony sound forge pro 11. More content you may found on my site: stormgs. Com.

X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.